“These cameras weren’t suctioned to the car they were bolted rigid to the frame. The cars had mounts built-in to the tubular chassis so that they could quickly fit 6-9 cameras on board variously on the hood, wheel rims, bumpers and passenger seat. ![]() Micheal wanted the cars to approximate the speeds that the drivers used to drive them.”Īs on Top Gun: Maverick, Messerschmidt used the Venice in Rialto mode where the lens block is separated from the camera. ![]() We weren’t going to use green screen either. “DoP Carmen Miranda is a great friend of mine and he had used the Sony Venice very successfully on Top Gun: Maverick. Behind the Scenes: Ferrari – Camera Choices “We were going to be driving these cars extremely fast over kilometres of country so we needed cameras that would be lightweight and robust enough,” explained Director of Photography Erik Messerschmidt ASC of the film’s signature racing scenes which included restaging the 1,500km motorsport endurance race Mille Miglia. Michael Mann’s new film is a period drama about motorsport mastermind Enzo Ferrari’s determination to win the automotive business race while pushing his test drivers to the limit.
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